Suggestions for how to increase triad fluency, extend lung capacity, lower your bottom lip, and an example of me applying this TCA concept on a Snarky Puppy album.
Using Dynamics To Accent Phrases: Dexter Gordon on “I Was Doing All Right” – Listening Lab, Chord & Guide Tone Exercises, Transcription Workout
This performance is PACKED with fun! Explore using dynamics to shape your lines and get a workout with these exercises.
Let’s shed a 2-5-1 in E Major (concert)
Repetition, repetition, repetition. Play along with me on this one phrase and by the end it’ll be stuck in your noggin. 🙂
Members Play Vincent Herring’s Solo On “Have You Met Miss Jones?” (Bebop)
My reviews of the October Transcription Challenge.
Introduction to George Garzone’s Triadic Chromatic Approach
This is an entry point for us to dig in to Garzone’s concept. It’s harmonically/theoretically advanced but also stands alone as a terrific technique shed.
Ways to Practice Intonation
In this video I address several ways of focusing on accurate pitch, including different practice techniques, the pros and cons of digital tuners (hint: develop and trust your ears, not your eyes), how professional jazz saxophonists setup differently from beginners, tuning overtones, voicing and air flow, and what part reed strength plays.
Members Practice Laying Back 8th Notes (Swing Feel)
My review of your transcription challenge submissions for September.
October 2020 Transcription Challenge – Vincent Herring on “Have You Met Miss Jones”
Vincent’s tone is buttery and buzzy. His rendition of the melody, his bluesy-bebop, motivically-balanced solo, and the arrangement’s groove make this an ideal vehicle to study this “must-know” standard.
Using the 7-T Practice Framework to Convert a Lick You Transcribe into Your Own Vocabulary (Hank Mobley)
In this lesson we’ll take a Hank Mobley ii-V-I nugget and put it through the 7T Practice Framework to turn it into original vocabulary.
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