Mapping out exactly how a lick is built helps you assimilate it faster and makes it easier to apply it in your improvisations.
Playing “Out” Doesn’t Have to be Theoretical: Solo Break Over Stitched Up with John Mayer
Focusing on rhythm and spending lots of time practicing triads helped me to create this cool solo break.
Just Friends
How to memorize (and transpose) chord changes faster, motivic development, rhythmic displacement, and a 4-part introduction to triad pairs.
Getting Away from Root-Based Improvising: A Simple Trick to Add Color to Chord Progressions (“Joy Spring”)
Tired of always playing chords from the root? This exercise will help you develop the skill of seeing a set of chord changes and replacing them with a close cousin.
How the Snarky Puppy horn section learns music…fast.
Here’s a private glimpse into how the Snarky Puppy horn section learns music—fast.
An Improvisational Approach to Practicing Scales in Thirds Over a Chord Progression
Can’t figure out how to go from practicing your scales to actually playing them in your solos? Give this exercise a try.
Case study: scales in thirds in a Stan Getz solo (over “500 Miles High”)
Hear Getz utilize this concept inside a solo + my suggestions for how to add this to your playing.
How to loop a section in the iRealPro app
An extremely useful tool to focus your practice on specific sections of songs or chord progressions.
SBA vs Mark VI – what’s the difference and why choose one over the other?
Bob: “How do you feel about the comparison between your MK VI and Balanced Action? So many of the young greats have gone ‘back’ to the balanced, or super balanced.”
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