You know those medium swing tempos where it’s somehow so difficult to get your 8th notes to swing? This solo offers an ideal example of one solution.
Use Simple Triads to Get Away from Root-Based Improvising
Guide tone lines and triads are a concrete way to sound good over any chord changes, especially difficult, non-functional harmony.
Review of the “He Had a Hat” transcription challenge submissions
These reviews get into what’s creating that cool sound over the dominant chord, using alternate (side) C, and what to do when the transcription challenge is too fast for your current ability.
Transcription Challenge: Bob’s solo on “He Had A Hat” by Jeff Lorber (from a rehearsal with Jeff and Jimmy Haslip)
Please Login to view this content. (Not a member? Join Today!)
Transcription Challenge Review: David Sanborn – Hobbies
Please Login to view this content. (Not a member? Join Today!)
Five-Note Drills Over the Break
The saxophone “break” is not as difficult as the clarinet’s, but if you want clean execution, you must give regular attention to these details.
Transcription Challenge Review – February 2018, “Binky” lick
My review of your submissions.
Listening Lab: David Sanborn “Hobbies” from Another Hand (a Down-Home Blues in A)
This is a great example of blues-infused bebop (or bebop-infused blues) playing in a “basic I, IV, V blues” setting.
Using the Keyboard to Transcribe Harmony from a Pop Song (EWF “Sign On”)
This is on the intermediate to advanced side, but no reason not to start doing this even if it feels over your head currently. I can’t overstate how important it is to get to the keyboard to visualize harmony.
- « Previous Page
- 1
- …
- 22
- 23
- 24
- 25
- 26
- …
- 54
- Next Page »