Melodic minor is an important scale in jazz. But it can be a bit confusing at first. Here’s how I approach it (and 4 important jazz scales derived from it).
Lower Neighboring Tones – an Example from John Coltrane’s Solo on My Shining Hour
By turning Coltrane’s phrase into an exercise, we can develop facility for playing more interesting (chromatically decorated) lines over chord changes.
Step by Step Process to Play Scales with Speed and Perfect Execution
A rock-solid approach to getting things under your fingers—without your fingers flying—and leading you to more responsive and even execution.
10 Elegant Seconds of Charlie Parker on “East of the Sun” from Bird With Strings
Understanding the architecture behind what Bird plays here (not just learning the lick) will help you create similar things in your own way.
Thinking while improvising: should you do it?
What should (or shouldn’t) you be thinking about when improvising?
A One-Note Exercise to Significantly Improve Your Sound
Using middle D to address tone quality (and avoid “high school” tone).
Practicing Into a Problem
Get creative and focused in a short amount of practice time.
Exploring the sounds of Ionian vs Lydian—and why choose one vs the other
Practicing for chord tones, common tones, intervals, relevant, scales, and motivic ideas.
Using Vocabulary to Practice Technique (Starring Bis and Side Bb)
Zoom in (and out) on a sliver of a song to address important technical limitations.
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