What should (or shouldn’t) you be thinking about when improvising?
A One-Note Exercise to Significantly Improve Your Sound
Using middle D to address tone quality (and avoid “high school” tone).
Practicing Into a Problem
Get creative and focused in a short amount of practice time.
Exploring the sounds of Ionian vs Lydian—and why choose one vs the other
Practicing for chord tones, common tones, intervals, relevant, scales, and motivic ideas.
Using Vocabulary to Practice Technique (Starring Bis and Side Bb)
Zoom in (and out) on a sliver of a song to address important technical limitations.
Practicing Cherokee in B (concert)
Practicing this way—even for a chorus—always leads me to something I can use to shed technical details.
Half (Ghost) Tonguing
How do you get that sound that’s kind of articulated, kind of not? The one you hear in so much bebop?
Cleaning technical glitches (in my pajamas) at 60 bpm
I shot this mid-practice session to show you exactly how I use SSS at 60 to iron out a problem.
What does it mean to work on triads on a scale?
This exercise opens up tons of options as an improviser. It helps break you out of a scale-based, or stepwise sound.
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