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2017-07-30 By Bob 1 Comment

Practicing Cherokee in B (concert)

Practicing this way—even for a chorus—always leads me to something I can use to shed technical details.

2017-06-24 By Bob 8 Comments

Half (Ghost) Tonguing

How do you get that sound that’s kind of articulated, kind of not? The one you hear in so much bebop?

2017-06-24 By Bob 11 Comments

Cleaning technical glitches (in my pajamas) at 60 bpm

I shot this mid-practice session to show you exactly how I use SSS at 60 to iron out a problem.

2017-06-15 By Bob 9 Comments

What does it mean to work on triads on a scale?

This exercise opens up tons of options as an improviser. It helps break you out of a scale-based, or stepwise sound.

2017-06-13 By Bob 9 Comments

Soprano sax: positioning and reed size issues

What’s the best way to hold the soprano so it plays easy (yeah, right!) but doesn’t kill your right arm/hand?

2017-06-08 By Bob 11 Comments

What Do You Think about When You Want to Rip Over a Static Funk Groove? (+ Branford Marsalis on “The Road You Choose”)

Improvising over one chord—or a few that repeat—is more difficult than you might think.

2017-06-07 By Bob 1 Comment

Stan Getz’s beautiful Lydian riff over Moonlight In Vermont

A couple really nice sounds—and the theory behind them—from a gorgeous Stan Getz solo. Try using this!

2017-05-28 By Bob

What is Chris Potter playing in this insane lick on “Lingus?” (Plus, why practice one song to prepare for another)

Wondering what all that “cool stuff”—the stuff that doesn’t “fit” with the chords—your modern heroes are playing is?

2017-05-20 By Bob 14 Comments

Add More Grease to Your Groove Playing (by Practicing This)

A (conceptually) simple way to get to the next level when playing over static, repetitive, or loop-based chord sequences.

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