There is no “one way” to do it, but there are definite things to avoid—and things to do—that will have a massive impact on your control of the instrument over time.
Alternate fingerings: A flat / G sharp
You don’t have to use the Ab/G# key to play Ab/G#. In fact, I often don’t.
Don’t Stop at the Top: Unlocking 7th Chords
I remember thinking seventh chords stopped at the seventh—and what an eye/ear opener it was when I saw beyond.
If I’m going to use the mouthpiece Silencer, this is how I do it
I don’t often use it, but if and when I do, I found this to be the most effecient approach.
Make It FEEL Good: Do This to Get Better at Keeping Your Place and Landing Your Phrases in the Pocket
Pat Metheny and Eric Clapton have it. Charlie Parker did, too. Regardless of where you are on your journey as an improviser, understanding this feel will make you sound better. Quickly. This simple exercise will help.
Avoiding Common Problems: Pinched Tone, Jerky Time-Feel, & Wandering Scale-Based Improv
A few suggestions for getting past these common issues.
A Faster Path to More Accurate Playing (at Any Tempo) – Slow blues “Chi Chi” in E
When I talk about practicing slow…I mean it. 🙂
Practice Your Execution With This Coltrane Changes Exercise
A practical way to improve your time while getting comfortable with a challenging set of chord changes.
Improve Your Time Feel with This Long Tone Exercise
Practice getting comfortable with a medium tempo swing feel while simultaneously improving your tone quality.
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