Old school, phone-based, and website versions.
Triadic Tone Exercise
A simple, but powerful exercise to improve your intonation.
Transcribing Chris Potter’s solo on “Easy To Love”
A real-time demonstration: I transcribe Potter’s solo and tell you everything I’m thinking as I go.
Why 2 & 4 Are Important (and Should You Tap Your Foot?)
Why feel 2 & 4 (vs. 1 & 3) and what you should know about tapping your foot.
Guide Tone Soloing: Learn to Identify the Most Important Notes in Chord Progressions (and Keep Your Place in the Form)
Learn the most important notes in a chord progression and keep your place in the form.
The Simple Trick to Make Your Mouthpiece, Reed, and Ligature Work as a Team
Getting a good sound starts with positioning your reed in the sweet spot on your mouthpiece.
How to make your saxophone sing! (Vocal techniques applied to saxophone performance)
Here’s a KILLER example of saying a lot with a limited selection of notes.
Create a modern inside/outside sound using first inversion triads
An advanced concept, based on a simple device, to get you out and in again.
Playing Bebop Over a Dominant 7th Groove
Making a straight-ahead bebop line work over a one-chord groove.
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