A real-time demonstration: I transcribe Potter’s solo and tell you everything I’m thinking as I go.
Why 2 & 4 Are Important (and Should You Tap Your Foot?)
Why feel 2 & 4 (vs. 1 & 3) and what you should know about tapping your foot.
Guide Tone Soloing: Learn to Identify the Most Important Notes in Chord Progressions (and Keep Your Place in the Form)
Learn the most important notes in a chord progression and keep your place in the form.
The Simple Trick to Make Your Mouthpiece, Reed, and Ligature Work as a Team
Getting a good sound starts with positioning your reed in the sweet spot on your mouthpiece.
How to make your saxophone sing! (Vocal techniques applied to saxophone performance)
Here’s a KILLER example of saying a lot with a limited selection of notes.
Create a modern inside/outside sound using first inversion triads
An advanced concept, based on a simple device, to get you out and in again.
Playing Bebop Over a Dominant 7th Groove
Making a straight-ahead bebop line work over a one-chord groove.
Groove Playing: Noticing the Kick and Hi Hat Relationship
A funky groove to play along with to help you get more comfortable with this key.
Scale interval exercise to add syncopation in 3/4 (Black Narcissus by Joe Henderson)
How to break out of the box rhythmically when playing in 3/4
- « Previous Page
- 1
- …
- 31
- 32
- 33
- 34
- 35
- …
- 55
- Next Page »