In this lesson series, I’ll show you how to dive into the world of playing in odd meters. You’ll learn how to feel time in 7/8, and then how to practice applying increasingly challenging pieces of bebop vocabulary in this time feel.
Transcribing in Real Time: Step-By-Step How I Learn a Solo By Ear (Chris Potter on “Everything Happens to Me”)
I walk you through my exact transcribing process, in real time, so you can hear exactly what I’m taking from the material.
How to Transcribe a Fast Lick (that seems too fast to figure out)
Think you can’t transcribe? Think you can’t transcribe fast lines? Sure you can.
False Fingering for B flat
A really cool alternate fingering for high Bb favored by Chris Potter and Michael Brecker
In the Car with Joshua Redman: Jig-a-Jug
Join me in the passenger seat as I share my favorite moments–and why I think they’re noteworthy–from this track.
Applying the Harmonic Minor Scale to Dominant 7b9 Chords – 7 Examples
Explore how to apply the harmonic minor scale to dominant 7b9 chords.
Warming up on Green Dolphin St.
A demonstration of how I sometimes begin a practice session by playing a tune.
Triad Pairs 101 (4 lessons)
Triad pairs are a great way to expand your improvisational vocabulary beyond linear playing. In this lesson you’ll learn where to use them and how to get them under your fingers
Successful Careers in Music: Berklee Clinic feat. Bob + Dave Matthews Band trumpeter Rashawn Ross and John Mayer bassist Sean Hurley
A Berklee College of Music clinic with trumpeter Rashawn Ross (Dave Matthews Band), bassist Sean Hurley (John Mayer), and myself.
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