Bob Reynolds Virtual Studio

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2008-10-23 By Bob

I’ll Remember April

This series focuses on taking a melody from Realbook to performance, using guide tones, and creating your own etudes to build confidence on a tune.

2008-10-23 By Bob

Anthropology

In this series, we’ll use the rhythm changes classic, “Anthropology,” to practice rhythm and time-feel, melodic development, and chord substitutions.

2008-10-18 By Bob

Without A Song

Constructing guide-tone-based lines, examples from Chris Potter, going beyond 1357, and using the keyboard to visualize and apply voice-leading to the saxophone.

2008-10-17 By Bob

Autumn Leaves

We’ll use this “must know” standard to examine the power of guide tones—plus a KILLER exercise for getting chord changes under your fingers.

2008-10-17 By Bob

What Is This Thing Called Love?

Tips for internalizing chord changes, one scale that works over half-diminished, altered dominant, and Lydian chords, and using a diminished major 7th chord in a ii-V-I.

2008-10-17 By Bob

Miyako (Wayne Shorter)

Learn a powerful technique to simplify complex chord changes. This will help you see “inside” changes and craft more cohesive solos.

2008-10-17 By Bob

Woody ‘N You

Minor ii-V’s got ya down? Dive deep into a brilliant Chris Potter solo over this (kinda tricky) tune and discover some new ways to simplify them.

2008-10-17 By Bob

Groovin’ High

Get your eighth notes to swing harder and work on some “in” and “out” vocabulary over ii-V-I’s.

2008-10-17 By Bob

A Night In Tunisia

Tips for learning melody—and harmony—by ear, transcribing Stan Getz, weaving together chord changes and playing along with Bob.

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