Get your horn out….again! We’re diving deep into an A9b13. We’ll learn some of the different options available to you, and how to shed them every which way.
Members Play John Coltrane’s Solo on “You’re A Weaver of Dreams”
Wonderful work, everyone! Covered a few harmony things in this, too: I-IV Cycle (piano voicings), Why a note sounds wrong over a turnaround, and more.
When 7sus isn’t what you think – “Bet” Solo Changes Workout, Measure 2
Get your horn out! We’re going to shed measure 2 of this solo section. Learn when a 7sus chord is not what you’d expect.
Listening Lab: Inside the demo for “Bet” by Snarky Puppy
Inside an actual demo file Snarky Puppy learns a new song from.
Bridging the Gap: How to Get Transcribed Vocabulary Into Your Own Playing (Stan Getz on “TWNBAY”)
This lesson explores a technique for converting material you discover via transcription into your own practical language. We’ll use 3 specific moments from Stan Getz’s solo as examples.
Member’s Play Stan Getz’s Solo on “There Will Never Be Another You”
My review of our June transcription challenge. Great work!
Members Apply Vocabulary on the Bridge of “In A Sentimental Mood”
My review of our May transcription challenge. Great work!
Bob Sheds “There Will Never Be Another You” In 5/4 and Tells You What He’s Thinking on Each Chorus
Exposing my inner monologue as I shed this challenging version of the classic standard.
Listening Lab: Stan Getz – There Will Never Be Another You
A masterclass in melodic phrasing over a “must-know” standard.
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