Transcribing in Real Time: Step-By-Step How I Learn a Solo By Ear (Chris Potter on “Everything Happens to Me”)
I walk you through my exact transcribing process, in real time, so you can hear exactly what I’m taking from the material.
Getting the Most From Transcribing: Details Make the Difference, Metronome Challenges, and the Benefits of Small, Loopable Phrases
Jo graciously allowed me to knit-pick his amazing work—4 choruses of Joshua Redman’s “Jig-a-Jug” solo in 12 keys!—to highlight challenging metronome practices and important details that will help develop your time-feel and groove.
Transcribing 101
In this video I break down my process for transcribing.
Transcribing in Real Time: Hot House
Probably one of the most-quoted bebop melodies of all time—and a perfect compliment to the recent lessons on minor II Vs.
Transcribing Chris Potter’s solo on “Easy To Love”
A real-time demonstration: I transcribe Potter’s solo and tell you everything I’m thinking as I go.
Why Transcribing and Technique Practice Are Not Mutually Exclusive (and How to Practice Both at the Same Time)
Transcribing and technique practice are not mutually exclusive. You can—and should—use a transcribed solo to address all aspects of your playing.