2015-02-05 By 3 Comments

Miyako: Play along while I comp on piano

You cannot view this unit as you're not logged in yet.

You do not have permission to view the comments.

Click here to cancel reply.

You must be logged in to post a comment.

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Using Tunes to Practice Improvisation

Module 1	Pennies From Heaven	+
Lesson 1	Listening Lab: Stan Getz's Solo on “Pennies From Heaven”
Lesson 2	The "Pennies From Heaven" Ending
Lesson 3	Breaking down Stan Getz's solo on Pennies From Heaven (Part 1)
Lesson 4	Breaking down Stan Getz's solo on Pennies From Heaven (Part 2)
Lesson 5	Breaking down Stan Getz’s Solo on Pennies From Heaven (Part 3)
Lesson 6	Breaking down Stan Getz’s Solo on Pennies From Heaven (Part 4)
Lesson 7	Bonus: Transcription Challenge Reviews
Module 2	Blue 7	+
Lesson 1	Blue 7: Play Along with Bob
Lesson 2	Blue 7: Exploring Triplets
Lesson 3	Blue 7: Wide Interval Leaps & Rhythmic Displacement (Sonny's Opening Phrase)
Lesson 4	Blue 7: Lydian Dominant Triplet Lick
Lesson 5	Blue 7: Combining Lydian Dominant, Bebop Enclosures, and Triplets
Module 3	Autumn Leaves	+
Lesson 1	Autumn Leaves: Finding and Using Guide Tones
Lesson 2	Autumn Leaves: Chord Scale Exercise for Learning Tunes
Module 4	Now's the Time	+
Lesson 1	Now's The Time: Melody and opening solo phrase
Lesson 2	Now's The Time: Transposing a lick you transcribed
Lesson 3	Now's The Time: Bird's iconic turnaround lick
Lesson 4	Now's The Time: Dissecting the VI7 phrase
Lesson 5	Now's The Time: The III, flat III substitution
Module 5	What Is This Thing Called Love?	+
Lesson 1	Internalizing Chord Changes - What Is This Thing Called Love?
Lesson 2	One scale that works great over tricky minor II V I - What Is This Thing Called Love?
Lesson 3	Cool Sound: Diminished Major 7 over II V I - What Is This Thing Called Love?
Lesson 4	Transcribing "Hot House" (contrafact based on "What Is This Thing Called Love?")
Module 6	Anthropology	+
Lesson 1	Anthropology: Improve Your Time Feel by Practicing with the Metronome on Different Beats (1)
Lesson 2	Anthropology: Improve Your Time Feel by Practicing with the Metronome on Different Beats (2)
Lesson 3	Anthropology: 4 Ways to Turn a Bebop Melody Into New Melodic Material
Lesson 4	Anthropology: Using the Bridge Melody as a Launchpad for Improvisation
Lesson 5	Anthropology: Understanding Melodic Architecture—Borrowing from "Ornithology"
Lesson 6	Anthropology: Superimposing -7b5 (Ø7) over Dominant 7 Chords
Lesson 7	Anthropology: Superimposing -7b5 (Ø7) and Maj7 (∆7) Chords over Dominant 7 (& Tritone Sub)
Module 7	I'll Remember April	+
Lesson 1	I'll Remember April: Sonny Stitt Listening Lab
Lesson 2	I'll Remember April: 2 Minor Licks for the A Section
Lesson 3	I'll Remember April: Etude
Lesson 4	I’ll Remember April: Transforming the Melody from Basic to Advanced, Part 1
Lesson 5	I’ll Remember April: Transforming the Melody from Basic to Advanced, Part 2
Lesson 6	I’ll Remember April: Memorizing the Changes 1—Make the Basics Musical
Lesson 7	I'll Remember April: Harmony 2—How I practice using guide tones in my solos
Lesson 8	I'll Remember April: Jazz Practice Buddy—Play along with Bob
Lesson 9	I'll Remember April: Try this ii-V-I lick—Dominant 7th Up, Altered Dominant Down
Module 8	A Night In Tunisia	+
Lesson 1	A Night In Tunisia: Learning the melody from multiple sources
Lesson 2	A Night In Tunisia: Figuring out the harmony by ear
Lesson 3	A Night In Tunisia: Stan Getz's solo
Lesson 4	A Night In Tunisia: Weaving chord changes together
Lesson 5	A Night In Tunisia: Trade 8's with Bob
Module 9	Groovin' High	+
Lesson 1	Groovin' High: Getting your eighth notes to swing
Lesson 2	Groovin' High: Superimposing Half-Diminished and Major 7th Chords over Dominant 7th
Lesson 3	Groovin' High: Playing "out" on II-Vs (1)
Lesson 4	Groovin' High: Playing "out" on ii-Vs (2) - play along with Bob
Lesson 5	Groovin' High: Playing "out" on ii-Vs (3) - superimposing 7th chords
Module 10	Woody 'N You	+
Lesson 1	Woody 'n You: Level 1, 2 and 3
Lesson 2	Woody ‘N You: Dissecting Chris Potter's solo
Lesson 3	Woody ‘N You: Dealing with Minor 7 Flat 5 (ø7) Chords
Lesson 4	Woody ‘N You: Breaking down Chris Potter's solo (1)
Lesson 5	Woody ‘N You: Breaking down Chris Potter's solo (2)
Lesson 6	Woody ‘N You: Breaking down Chris Potter's solo (3)
Lesson 7	Woody ‘N You: Breaking down Chris Potter's solo (4)
Module 11	Just Friends	+
Lesson 1	Just Friends: Listening Lab
Lesson 2	Just Friends: Using the Number System to Learn, Remember, and Transpose Tunes
Lesson 3	Just Friends: Motivic Development with Rhythmic Displacement
Lesson 4	Just Friends: Introduction to Triad Pairs
Lesson 5	Just Friends: What Are Triad Pairs?
Lesson 6	Just Friends: Locating Triad Pairs (Modal Triads Explained)
Lesson 7	Just Friends: A Triad Pairs Practice Strategy
Lesson 8	Just Friends: Trade with Bob
Module 12	Without A Song	+
Lesson 1	Without A Song: Guide tone lines, real-time transcribing Chris Potter's solo, and a new twist to 7th chords
Lesson 2	Without A Song: Beyond 1357, Part 1 - Feel
Lesson 3	Without A Song: Beyond 1357, Part 2 - Melodic & Harmonic Construction
Lesson 4	Without A Song: Visualizing Voice Leading - Applying Piano Voicings to the Saxophone
Module 13	Miyako (Wayne Shorter)	-
Lesson 1	Simplify Complex Chord Changes by Using 4-Note Cells
Lesson 2	Miyako: finding 4-note cells
Lesson 3	Miyako: Pivot points, half-step motion, and contrary motion
Lesson 4	Miyako: Play along while I comp on piano