2014-04-14 By Leave a Comment

Breaking Down the Solo – Part 2: False Fingering B flat

You cannot view this unit as you're not logged in yet.

You do not have permission to view the comments.

Click here to cancel reply.

You must be logged in to post a comment.

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Case Study: Harvesting Practice Material from a Solo You've Transcribed

Module 1	Preparation	+
Lesson 1	Why Doing Your Own Transcribing Is Critical to Improving as an Improviser
Lesson 2	An Overview of My Transcribing Process
Lesson 3	Play 3 Sing 1: Take it Further with Ear-Training
Module 2	Breaking Down the Solo	-
Lesson 1	Breaking Down the Solo - Part 1
Lesson 2	Breaking Down the Solo - Part 2
Lesson 3	Breaking Down the Solo - Part 2: False Fingering High E flat
Lesson 4	Breaking Down the Solo - Part 2: False Fingering B flat
Lesson 5	Breaking down the Solo - Part 3: Michael Brecker Finds Hidden Triad Pairs Inside a Blues Scale
Lesson 6	Turn Their Solo Into Your Language: Improvising with the Triad Pair
Lesson 7	Breaking Down the Solo - Part 4: The Low B flat (concert A flat)
Lesson 8	Breaking Down the Solo - Part 5: Outlining Ab Minor; Wide Intervals
Lesson 9	Breaking Down the Solo - Part 6: 4ths and 5ths
Lesson 10	Breaking Down the Solo - Part 7: Stepping Outside