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2014-03-24 By 9 Comments

Exercise 18 (Minor 7th Over Major 7th)

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Comments

  1. Vanessa M. says

    2021-03-03 at 8:05 AM

    Hi. I played along with Bob. And discovered it also sounds very cool when you start one bar behind Bob.

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  2. Daniel W. says

    2021-03-04 at 1:40 AM

    I found it an easy way to remember this thinking of the Em Pentatonic (which works by the way over the complete ii-v-i / – Dm7-G7-Cmaj -. This works as well for the Am Pentatonic. So 3rd (Em Pent.) or 6th degree (A m Pentatonic) of the Major scale always works fine for me.

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  3. Michael S. says

    2021-09-07 at 5:15 PM

    How useful of an exercise is it to try switching the way you think about each chord during a pass? Like thinking about it as 3-5-7-9 for one pass around the cycle, then switching to think about it as the minor 1-b3-5-b7 for a cycle, then back again? What about trying to hold both concepts simultaneously? Or thinking about concert keys?

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    • Bob R. says

      2021-09-08 at 9:47 AM

      Hey Michael,

      Good question. I think that would definitely be beneficial, with the ultimate goal of being able to see each chord up to the 9th automatically, to where there’s little conscious thought when playing either 1-3-5-7 or 3-5-7-9.

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      • Michael S. says

        2021-09-08 at 10:39 AM

        Thanks, Bob!

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  4. Kevyn C. says

    2022-07-25 at 7:26 PM

    I’ve been at this course for months and months…slowly chipping away at it.I can sometimes even see a little sunlight and,I will finish it.

    Had to get this off my chest.

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    • Bob R. says

      2022-07-26 at 9:56 AM

      Keep going, Kevyn!

      It’s a big task, but you’ve got it.

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  5. Luciano P. says

    2023-05-24 at 2:01 AM

    Hi Bob.

    Thinking ahead two chords (the next root + the minor cord on the III) is pretty tough for me (I wonder if you can see how often I started the exercise).

    Thinking (1)3579 makes it much easier. So I mix this exercise up with circles of 13579 and have a better progress on the thinking ahead thing.

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    • Bob R. says

      2023-05-26 at 9:37 AM

      I hear you, Luciano. That’s totally OK! The main thing is to find the avenue that makes the most sense TO YOU. And by exploring doing it this way, it sounds like you found the way that works for you.

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Visual Technique for Improvisation: A roadmap for thinking ahead on chord changes—and developing the technique to execute ideas over them.
Module 1 Introduction to Visual Technique for Improvisation [2:39 mins]+
Lesson 1 Preparation Exercise: Long overtones on middle C
Module 2 Part 1: Chromatically Ascending Major chords [17:20 mins]+
Lesson 1 Things to Focus on While Practicing
Lesson 2 Exercises 1 & 2 (Scales)
Lesson 3 Exercises 3 & 4 (Arpeggios)
Module 3 Part 2: Chromatically Descending Major Chords [9:10]+
Lesson 1 Intro to Exercises 5 - 8
Lesson 2 Exercise 5 & 6 (Scales)
Lesson 3 Exercises 7 & 8 (Arpeggios)
Module 4 Part 3: Chromatically Ascending and Descending Major Chords [11:17 mins]+
Lesson 1 Introduction to Exercises 9 & 10
Lesson 2 Exercises 9 & 10 (Scales)
Lesson 3 Introduction to Exercise 11 - Major 7ths on Their 7ths
Lesson 4 Exercise 11
Module 5 Part 4: Up a Tritone, Down a Half Step [7:40 mins]+
Lesson 1 Introduction to Exercises 12 - 14
Lesson 2 Exercise 12 (Root & 5th)
Lesson 3 Exercise 13 (Pentatonics)
Lesson 4 Exercise 14 (Broken 7th Chords)
Module 6 Part 5: Cycle of Fourths [12:30 mins]-
Lesson 1 Four Incredibly Useful Patterns to Practice Through the Circle of Fifths/Fourths
Lesson 2 Exercise 15 (1235)
Lesson 3 Exercise 16 (Pentatonics)
Lesson 4 Exercise 17 (7ths on 7)
Lesson 5 Exercise 18 (Minor 7th Over Major 7th)
Module 7 Part 6: Ascending Major Chords in Whole Steps [23:59 mins]+
Lesson 1 How to Approach This Section's Exercises
Lesson 2 Exercise 19 (5321)
Lesson 3 Exercise 20 (5321 with Rhythmic Variety)
Lesson 4 Exercise 21 (Pentatonics)
Lesson 5 Exercise 22 (Pentatonics as a Launchpad for Improvisation)
Lesson 6 Exercise 23 (7ths on 7 Over Ascending Major)
Lesson 7 Exercise 24 (Minor over Major)
Module 8 Part 7: 4-Bar Bebop Phrase #1 in All Keys [19:28 mins]+
Lesson 1 Introduction
Lesson 2 How to Think of Each Part of the Phrase For Speed and Accuracy
Lesson 3 Exercise 25: 4-Bar Bebop Phrase Beginning on the Root (All Keys - Ascending)
Lesson 4 Exercise 26: 4-Bar Bebop Phrase Beginning on the Root (All Keys - Descending)
Module 9 Part 8: 4-Measure Bebop Phrase #2 in All Keys [7:21 mins]+
Lesson 1 4-Bar Bebop Phrase #2: Things to know
Lesson 2 Exercise 27: 4-Bar Bebop Phrase #2: Slow
Lesson 3 Exercise 28: 4-Bar Bebop Phrase #2: Fast

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