A real-time demonstration: I transcribe Potter’s solo and tell you everything I’m thinking as I go.
Create a modern inside/outside sound using first inversion triads
An advanced concept, based on a simple device, to get you out and in again.
Alto for Tenor Players: What You Need to Know (3 lessons)
Do you need to play alto and tenor? Should you? Let’s examine some pros and cons, as well as helpful strategies for making it easier to switch from your primary to secondary horn—without equal practice time.
Transcribing in Real Time: Step-By-Step How I Learn a Solo By Ear (Chris Potter on “Everything Happens to Me”)
I walk you through my exact transcribing process, in real time, so you can hear exactly what I’m taking from the material.
False Fingering for B flat
A really cool alternate fingering for high Bb favored by Chris Potter and Michael Brecker
In the Car with Chris Potter – Bad Guys
If you’re skipping this step, transcribing will never have the full effect on you that it could.