We’re digging into another of the countless great phrases from Joshua Redman’s “Summertime” solo. We’ll focus on his use of major and minor triads to create a strong melodic anchor, as well as looking into his bebop language and enclosures that work over both the minor ii-V and its relative major.
Summertime – Joshua Redman Phrases, Part 1
We’re going to do a bunch of things with “Summertime.” To begin, here is one small phrase to work on that comes from Joshua Redman’s solo on the tune.
Listening Lab: Joshua Redman on Summertime
“Summertime” is a classic “must-know” standard for any gig or jam session. We’ll be digging into lots of different recordings of the tune this month, but focusing on two in particular – Joshua Redman’s and Charlie Parker’s.
Members Play Joshua Redman’s solo on “Turnaround”
So cool to see everyone digging into one of my favorite albums and doing such a great job! 🙂
Listening Lab – Joshua Redman on “Turnaround”
Lots of phrases and pieces of vocabulary to lift and shed in this blues masterpiece.
Getting the Most From Transcribing: Details Make the Difference, Metronome Challenges, and the Benefits of Small, Loopable Phrases
Jo graciously allowed me to knit-pick his amazing work—4 choruses of Joshua Redman’s “Jig-a-Jug” solo in 12 keys!—to highlight challenging metronome practices and important details that will help develop your time-feel and groove.
In the Car with Joshua Redman: Jig-a-Jug
Join me in the passenger seat as I share my favorite moments–and why I think they’re noteworthy–from this track.
How to use one phrase to improve your technique, articulation, time feel, mental focus, and more
Be a fly-on-the-wall during a lesson I had with a young saxophonist. Learn how to harvest a TON of material from ONE phrase.