We’ll use this solo to observe solo construction and pacing over a two-chord vamp, considering harmony, voice-leading, and rhythmic density, and, most importantly, connection with the inherent pulse of the music. Practice exercises included!
Listening Lab: Branford Marsalis’ Exquisite Duet with Sting on “Roxanne”
This is one of my all-time favorite saxophone performances. Here’s why.
Ways to Practice Intonation
In this video I address several ways of focusing on accurate pitch, including different practice techniques, the pros and cons of digital tuners (hint: develop and trust your ears, not your eyes), how professional jazz saxophonists setup differently from beginners, tuning overtones, voicing and air flow, and what part reed strength plays.
Operating Instructions for Improvising Within a Modal Pop Song: Branford Marsalis on “Englishman in New York”
Branford’s playing on Sting’s “Englishman in New York” provides a great blueprint for improvising in a pop context. We’ll go over the song’s harmony, practicing wide intervals, and combining technique practice with musical practice.
Soprano sax: positioning and reed size issues
What’s the best way to hold the soprano so it plays easy (yeah, right!) but doesn’t kill your right arm/hand?
How I soak reeds
Here’s how I set my reeds up to give them the best chance of responding evenly.
Soprano Sax Mouthpiece & Embouchure Basics
Tips on making the transition to soprano from tenor or alto.
Rhythm Changes: Superimposing Cycle of 4ths (Monk Style)
Superimposing the cycle of 4ths on rhythm changes.
Rhythm Changes: Minor 6 Pentatonic Lick
Check out this lick…