Suggestions for how to increase triad fluency, extend lung capacity, lower your bottom lip, and an example of me applying this TCA concept on a Snarky Puppy album.
Members Play Vincent Herring’s Solo On “Have You Met Miss Jones?” (Bebop)
My reviews of the October Transcription Challenge.
Members Practice Laying Back 8th Notes (Swing Feel)
My review of your transcription challenge submissions for September.
October 2020 Transcription Challenge – Vincent Herring on “Have You Met Miss Jones”
Vincent’s tone is buttery and buzzy. His rendition of the melody, his bluesy-bebop, motivically-balanced solo, and the arrangement’s groove make this an ideal vehicle to study this “must-know” standard.
Members Play Hank Mobley’s Solo On “Dig Dis” (Hard Bop Blues)
My review of our Mobley transcription challenge. 58 submissions(!) with bundles of pointers. Great work, all!
Getting the Most From Transcribing: Details Make the Difference, Metronome Challenges, and the Benefits of Small, Loopable Phrases
Jo graciously allowed me to knit-pick his amazing work—4 choruses of Joshua Redman’s “Jig-a-Jug” solo in 12 keys!—to highlight challenging metronome practices and important details that will help develop your time-feel and groove.
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