It’s easy to get hung-up on possibilities when it comes to chord substitutions. But often, the hippest sounds are accessible by using triads and 7th chords you already know rearranged in melodic shapes. Here’s an excellent example from the great Cannonball Adderley over a classic blues. Take a look at my analysis and then do your own. What do you hear, see and feel? How does it make the most sense to you?
A Case Study in Applying What You Transcribe and a Terrific Exercise for Getting Chord Changes under Your Fingers (Roy Hargrove on September in the Rain)
How to learn a new piece of vocabulary, apply it, and mix it in with your own improvisations.
Two Birds With One Stone: Applying the Same Vocabulary Over Both Major and Minor II-Vs
This piece of vocabulary works over both major and minor ii-V’s, making the tune Summertime the perfect vehicle for practice. Remember: your fingers are the time-keeper.
The Way You Look Tonight: Applying Erroll Garner’s Lick
In this lesson I’ll show you how I take vocabulary from a transcribed solo and begin to apply it and make it my own.
Focus On Feel: An Exercise to Improve the Way You Deliver Vocabulary
Ever feel like you’re just not “putting it all together”? This exercise will help you get away from thinking note to note, chord to chord, and instead focus on a phrase, delivered with style.
Thinking Ahead: How to Practice Executing Vocabulary
Applying a new piece of vocabulary in this fashion will help you quickly absorb it, and know when to use it.