A few of my favorite harmonic “tricks” are easily viewable when playing this holiday classic.
Members Play Sonny Stitt’s Solo on “Night Letter”
My review of our November transcription challenge. Fantastic work, everyone!
Altissimo Diagnosis – Helpful Tips From Studio Members on Unlocking the Upper Range
A compilation of all the advice from the “Altissimo Blues” thread. I loved hearing everyone’s advice and contributions!
Jazz Blues Workout – Progressive Exercises To Hear And Feel The Blues Form
Learn to hear and feel the form and chord changes of a “jazz” blues. This is the most common blues form called on a jazz jam session. You’ll learn how to outline chords, apply vocabulary, and learn what differentiates this from a basic blues.
Members Play Branford Marsalis’ Solo on “Roxanne”
My review of our October transcription challenge. Nice work!
Basic Blues (I IV V) Workout – Progressive Exercises To Hear And Feel The Blues Form
Learn to hear and feel the form and chord changes to a basic 12-bar blues. This is the foundation all other types of blues are built upon. You need to feel comfortable and confident outlining this form.
Approach Notes, Grace Notes, and Enclosures – What’s the Difference?
These three words mean slightly different things. This super short video demonstrates the differences.
Members Play Arnett Cobb or Antonio Hart’s Solo on “September in the Rain”
My review of our September transcription challenge. Great work, everyone!
Listening Lab: Branford Marsalis’ Exquisite Duet with Sting on “Roxanne”
This is one of my all-time favorite saxophone performances. Here’s why.
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