Jumping into the bridge and cadenza on this solo. We’ll cover flipping minor to major, using four note cells, and the very cool diminished pattern on the cadenza. There is a lifetime of “sheddable” material in this solo!
Listening Lab: Michael Brecker’s EWI solo over “In A Sentimental Mood” – Part 1
I got SO much from this solo upon discovering it in high school. In this part well break down some colorful moments from his solo that you can apply to the A section of this song.
Members Play “Tio Macaco” by Snarky Puppy
My review of our March transcription challenge. Great job, everyone. 🙂
Members Play “Blues for Alice” with a Backbeat
My review of our February transcription challenge. Nice job, everyone!
A Simple Way to Make Melodies More Expressive
This quick trick will instantly improve your playing of melodies, without having to learn or process any new information.
Uniformity of Tone Character – An Exercise to Achieve a Balanced, Full Sound in All Registers
Working on this chop-buster long tone exercise will help get you a uniform, balanced tone in all ranges of your instrument. And if you work on it the right way, it will be great for your time-feel.
Members Play “Blues for Alice”
My review of our January transcription challenge. Lots of first-time submitters. Great work!
Why do you use the paddle/spatula keys when playing Ab/G#?
I’ve gotten this question on tons of youtube videos and lessons. Here’s why…..
Sharp 1 & 2 Diminished – An Elegant Harmonic Substitution to Use in Your Turnarounds
This lesson explains and shows you how to use the sharp 1 & 2 diminished substitution. This is a must-know device to have in your improvisational tool belt over both the blues and rhythm changes.
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