My review of our February transcription challenge. Very, very impressed with the excellent submissions on a tough challenge.
Interchangeable Modes and the Value of Repetition – Shedding One Minor II V From “Stella By Starlight”
Almost twenty minutes of me shedding just two bars of “Stella By Starlight,” starting with some practicable vocabulary. I’ll show you how I practice looping individual lines and eventually spin it out into full improvisation.
Members Play Bob’s Solo On “Our Day Will Come” (Pop Jazz)
My review of our January transcription challenge. Excellent work, as always!
Solo Analysis: Bob Breaks Down His Approach to “Our Day Will Come”
Motifs, rhythmic approaches, bebop scales, and one of my FAVORITE go-to harmonic tricks.
Listening Lab: Opening up Minor Chords With Wider Intervals, the 110% Trick, and Using the Rhythmic Density Scale — Chris Potter on “El Morocco”
One of my all-time favorite recordings. Lots of innovative material with minor chords and intervals, a great altissimo workout, and exemplary use of the rhythmic density scale.
The Altered Dominant (7#9) Trick
One of my favorite harmonic “hacks,” this “trick” was first told to me by someone who heard it from Cannonball Adderley.
Stella! Analyzing the harmonic motion of the deceptively tricky “Stella By Starlight”
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Metronome on 2 & 4 – Quick Tip To Get Comfortable (& Why Do It)
If working with a metronome on beats 2 & 4 is giving you trouble (as it does for all at first), start here.
Quick Tip for Memorizing Melodies
Tip begins at 6:15.
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