Bob Reynolds Virtual Studio

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2020-04-17 By Bob Leave a Comment

How do you do an altissimo gliss from high F up to Bb?

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2020-04-07 By Bob 1 Comment

How can I accelerate mastering top tones (altissimo)?

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2020-04-04 By Bob 4 Comments

The Sharp 4 Half Diminished Turnaround: A Common Jazz Chord Progression and Effective Practice Tool

This is an important turnaround to be familiar with not only because it appears in some common jazz standards, but because it’s an extended series of building blocks.

2020-04-04 By Bob

Listening Lab: Charlie Parker’s beautiful melodic embellishment and ornamentation on “April In Paris”

A brilliant example of how to embellish a melody from one of the all-time masters of phrasing.

2020-04-04 By Bob

Members Play Eric Alexander’s Solo On “Four” (Hard Bop)

Outstanding work folks! Made several lesson suggestions and practice tips in this one.

2020-03-21 By Bob 9 Comments

“What’s he doing there?!” – How to make use of Eric Alexander’s solo break on “Four”

It’s a killer “break,” and you can use it in a lot of places. Let’s examine the parts that make up this whole so you can shed it—and apply it.

2020-02-21 By Bob 17 Comments

Call and Response – Find New Material While Developing Your Improvisational Phrasing

This improv exercise will help develop your phrasing and help you break free of the same old licks and streams of eighth notes you’re stuck using.

2020-01-25 By Bob 8 Comments

Bob analyzes Chris Potter's solo on Almost Home...in the car

Listening for the spark

Transcribing is more (to me) than only copying another player’s solo with your horn. It’s about listening for sparks. Lemme show ya what I mean.

2020-01-05 By Bob 1 Comment

Members Play “Ecaroh” (Hard Bop Classic)

Bob’s review and feedback plus a PDF breaking down the “nugget” and what to do about that one note. 😉

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