A quick nugget of vocabulary over a ii-V-I that utilizes the b9 sound.
Practical Ways to Use a Metronome
A reminder about the many different ways you can use a metronome in the practice room.
Members Play Branford Marsalis’s Solo On “Englishman In New York” (Pop)
Great work everyone!
New to the Virtual Studio? Start Here
Watch this short video to find out how to get started and few things to do first.
Improvising a solo introduction—in front of people and cameras (Breaking down my a cappella intro to “Mulholland”)
We’ll cover what I’m thinking, doing, and how I prepared to improvise 100% solo in front of people, cameras, and microphones.
Q&A – Altissimo control, copying articulation, pros/cons of using harder reeds, and developing intonation imagination
Your questions answered, with related lessons to check out.
Operating Instructions for Improvising Within a Modal Pop Song: Branford Marsalis on “Englishman in New York”
Branford’s playing on Sting’s “Englishman in New York” provides a great blueprint for improvising in a pop context. We’ll go over the song’s harmony, practicing wide intervals, and combining technique practice with musical practice.
Members Play “Laura” (Jazz Ballad)
Such beautiful playing from everyone. Great work!
Why Transcribing and Technique Practice Are Not Mutually Exclusive (and How to Practice Both at the Same Time)
Transcribing and technique practice are not mutually exclusive. You can—and should—use a transcribed solo to address all aspects of your playing.
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