Great work by all! We get into some discussions about to write transcriptions down or not and the pros/cons, and some demonstrations about Sanborn’s sound, and extracting a practice nugget or two.
Techniques To Create a Compelling Solo Over a 2-Chord Vamp (Covered In Rain Example)
We’ll use this solo to observe solo construction and pacing over a two-chord vamp, considering harmony, voice-leading, and rhythmic density, and, most importantly, connection with the inherent pulse of the music. Practice exercises included!
Strategies for Backdoor II-Vs: Voice-Leading Upper Structure Chords
In this video we’ll take a look at what “backdoor ii-Vs” are, where they come from, and a good approach for improvising over them.
Members Play Stan Getz’s Solo on “I’ll Remember April”
My review of our May challenge. Great work, everyone!
An 8-Bar Phrase To Help You Connect Chord Changes (Based On The Bridge To I’ll Remember April)
10 vocabulary components inside one 8-bar phrase to help you see, hear, and feel important connections between chords.
Members Play Joe Henderson’s solo on Flamenco Sketches
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Joe Henderson’s 1985 Lecture from North Texas University
Hear Joe answer a wide range of questions from practice habits to career choices.
Members Play Michael Brecker’s solo on Spherical
Great session by everyone who participated and led to some good sidebars on embouchure, altissimo, playing really fast parts, and more.
Listening Lab: Joe Henderson on Flamenco Sketches
Discover a new way of getting inside music and new possibilities for the way you produce your sound.
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