The fourth and fifth installment of lines over this jam-session staple. This one uses diatonic seventh chords and simple triads to hit upper extensions.
Blue Bossa – Lines that feel good to play #3 – Experiencing upper extensions
The third of some fun lines to play over this jam-session staple. This one has subtle harmonic and rhythmic implications.
Blue Bossa – Lines that feel good to play #2 – Let’s practice laying back
The second of some fun lines to play over this jam-session staple.
Blue Bossa – Lines that feel good to play #1
The first of some fun lines to play over this jam-session staple.
The 1753 Exercise For Memorizing Chord Changes (Ex. Donna Lee)
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“Donna Lee” Piano Voicings for Non-Piano Players
We’re gonna play through the harmony of the iconic Charlie Parker tune “Donna Lee” at the piano. No chops needed!
“Donna Lee” Melody Workout
A detailed approach on how to practice this important bebop melody so you get the most out of it.
7 Bebop Lines Over a 1-Chord -7 Groove: Enclosures, Approach Notes, and Anticipations
Learn 7 variations of my favorite bebop-flavored lines that sound great over static minor 7 chords.
Summertime – Joshua Redman Phrases, Part 2
We’re digging into another of the countless great phrases from Joshua Redman’s “Summertime” solo. We’ll focus on his use of major and minor triads to create a strong melodic anchor, as well as looking into his bebop language and enclosures that work over both the minor ii-V and its relative major.
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