Another “kill two birds with one stone” practice strategy. Great way to work on tone while also memorizing a new melody.
Transcribing Not Optional: Recording with Snarky Puppy
Years of transcribing solos helped me memorize and record 12 tunes in 3 days—by ear.
How to handle adjacent chromatic 7th chords
5 ways to improve your playing over tricky chromatic changes
Blue 7
Melodic motifs, rhythmic displacement, and the Lydian dominant scale are covered in this series on the classic blues tune by Sonny Rollins.
What to Do About Wimpy High Notes
How to make those palm keys speak as naturally as the middle range of your horn
Sidestepping: Sliding out—and Back in—to a Chord
A short phrase moving chromatically through ii-V’s
I Should Care: Learning Tunes from Multiple Sources
Frustrated because the information doesn’t seem to come together for you?
Odd Meter Bebop
In this lesson series, I’ll show you how to dive into the world of playing in odd meters. You’ll learn how to feel time in 7/8, and then how to practice applying increasingly challenging pieces of bebop vocabulary in this time feel.
Transcribing in Real Time: Step-By-Step How I Learn a Solo By Ear (Chris Potter on “Everything Happens to Me”)
I walk you through my exact transcribing process, in real time, so you can hear exactly what I’m taking from the material.
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