Inside an actual demo file Snarky Puppy learns a new song from.
Bridging the Gap: How to Get Transcribed Vocabulary Into Your Own Playing (Stan Getz on “TWNBAY”)
This lesson explores a technique for converting material you discover via transcription into your own practical language. We’ll use 3 specific moments from Stan Getz’s solo as examples.
Member’s Play Stan Getz’s Solo on “There Will Never Be Another You”
My review of our June transcription challenge. Great work!
Members Apply Vocabulary on the Bridge of “In A Sentimental Mood”
My review of our May transcription challenge. Great work!
Bob Sheds “There Will Never Be Another You” In 5/4 and Tells You What He’s Thinking on Each Chorus
Exposing my inner monologue as I shed this challenging version of the classic standard.
Listening Lab: Stan Getz – There Will Never Be Another You
A masterclass in melodic phrasing over a “must-know” standard.
Members Play “In A Sentimental Mood”
My review of our April transcription challenge. Great work!
Listening Lab: Michael Brecker’s EWI solo over “In A Sentimental Mood” – Part 2
Jumping into the bridge and cadenza on this solo. We’ll cover flipping minor to major, using four note cells, and the very cool diminished pattern on the cadenza. There is a lifetime of “sheddable” material in this solo!
Listening Lab: Michael Brecker’s EWI solo over “In A Sentimental Mood” – Part 1
I got SO much from this solo upon discovering it in high school. In this part well break down some colorful moments from his solo that you can apply to the A section of this song.
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