The sixth and seventh installment in “Lines That Feel Good” over Blue Bossa. These two feature a technical loop and the major bebop scale.
This month, we’re digging into Paul Desmond’s solo on Black Orpheus—a beautifully constructed, lyrical solo that feels almost composed. We’ll cover how to follow harmony in real time, spot key cadences by ear, and uncover one especially golden passage worth transcribing and internalizing.
The fourth and fifth installment of lines over this jam-session staple. This one uses diatonic seventh chords and simple triads to hit upper extensions.
The third of some fun lines to play over this jam-session staple. This one has subtle harmonic and rhythmic implications.
The second of some fun lines to play over this jam-session staple.
The first of some fun lines to play over this jam-session staple.
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