Bob Reynolds Virtual Studio

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We’ll cover what I’m thinking, doing, and how I prepared to improvise 100% solo in front of people, cameras, and microphones.

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Your questions answered, with related lessons to check out.

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Branford’s playing on Sting’s “Englishman in New York” provides a great blueprint for improvising in a pop context. We’ll go over the song’s harmony, practicing wide intervals, and combining technique practice with musical practice.

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Such beautiful playing from everyone. Great work!

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Transcribing and technique practice are not mutually exclusive. You can—and should—use a transcribed solo to address all aspects of your playing.

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If you’ve spent any time in your altissimo register, you’ve probably asked yourself this question. Here’s how I approach it.