Great work by all! We get into some discussions about to write transcriptions down or not and the pros/cons, and some demonstrations about Sanborn’s sound, and extracting a practice nugget or two.
We’ll use this solo to observe solo construction and pacing over a two-chord vamp, considering harmony, voice-leading, and rhythmic density, and, most importantly, connection with the inherent pulse of the music. Practice exercises included!
In this video we’ll take a look at what “backdoor ii-Vs” are, where they come from, and a good approach for improvising over them.
My review of our May challenge. Great work, everyone!
10 vocabulary components inside one 8-bar phrase to help you see, hear, and feel important connections between chords.
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