Bob Reynolds Virtual Studio

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These reviews get into what’s creating that cool sound over the dominant chord, using alternate (side) C, and what to do when the transcription challenge is too fast for your current ability.

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The saxophone “break” is not as difficult as the clarinet’s, but if you want clean execution, you must give regular attention to these details.

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My review of your submissions.

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This is a great example of blues-infused bebop (or bebop-infused blues) playing in a “basic I, IV, V blues” setting.