By turning Coltrane’s phrase into an exercise, we can develop facility for playing more interesting (chromatically decorated) lines over chord changes.
By Bob 10 Comments
A rock-solid approach to getting things under your fingers—without your fingers flying—and leading you to more responsive and even execution.
Understanding the architecture behind what Bird plays here (not just learning the lick) will help you create similar things in your own way.
What should (or shouldn’t) you be thinking about when improvising?
Using middle D to address tone quality (and avoid “high school” tone).
Get creative and focused in a short amount of practice time.
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