What’s the best way to hold the soprano so it plays easy (yeah, right!) but doesn’t kill your right arm/hand?
By Bob 9 Comments
Improvising over one chord—or a few that repeat—is more difficult than you might think.
A couple really nice sounds—and the theory behind them—from a gorgeous Stan Getz solo. Try using this!
Wondering what all that “cool stuff”—the stuff that doesn’t “fit” with the chords—your modern heroes are playing is?
A (conceptually) simple way to get to the next level when playing over static, repetitive, or loop-based chord sequences.
What makes this kind of thing work is intervallic movement, contrary motion and solid connection between chords.
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