Doing this exercise for 10 mins each time you practice will have a radically positive impact on your sound, intonation and overall facility on the horn.
By Bob 46 Comments
This is a terrific example of a compositional funk solo. And these are some great techniques for practicing motivic development.
There is no “one way” to do it, but there are definite things to avoid—and things to do—that will have a massive impact on your control of the instrument over time.
You don’t have to use the Ab/G# key to play Ab/G#. In fact, I often don’t.
I remember thinking seventh chords stopped at the seventh—and what an eye/ear opener it was when I saw beyond.
I don’t often use it, but if and when I do, I found this to be the most effecient approach.
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