For my money, saxophone in a pop setting gets no better than the work of these two gentlemen
By Bob 12 Comments
Using syllables, directing air flow, breath support, overtones, altissimo, articulation, & some advice from my college saxophone professor.
Analysis of what I played in Part 1.
If you ever feel like you’ve run out of ideas in a “simple” groove situation, here’s some ideas.
These are the gateway not only to a great tone, but the altissimo range, as well.
What’s the secret to a great sound? Think it’s the mouthpiece? The horn, or reeds?
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