Improvisation
Player Problems (1 of 4): Ghosting, half-tonguing and “jazz” articulation
Why 2 & 4 Are Important (and Should You Tap Your Foot?)
Create a modern inside/outside sound using first inversion triads
Playing Bebop Over a Dominant 7th Groove
Scale interval exercise to add syncopation in 3/4 (Black Narcissus by Joe Henderson)
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